Jayda fink1/2/2024 ![]() ![]() “There’s all this desert in West Texas, just put a fence around hundreds of miles of it and say, ‘OK, this isn’t America anymore,’ and put ’em there. “Put ’em on a bus, tag them as losers,” she explains. So, maybe not so much creeping authoritarianism, but the squeezing out of those who can’t keep up economically is what’s really sending the movie’s alleged misfits into no man’s land. That’s kind of like a big, esoteric metaphor for what it is, but that is really what it is.”Īmirpour was also hanging around Skid Row while “Bad Batch” was gestating and noticed that the homeless population there was getting displaced by downtown L.A.’s gentrification. “She’ll never be that thing that she was, but she will learn how to be, now, in this new form. ![]() She nevertheless escapes before being fully eaten and crosses the wasteland to the relative safety of Comfort, an encampment run by The Dream (Keanu Reeves).īut both a sense that all is not right there and her own inexplicable longings drive Arlen back out into the desert, where she discovers an odd kinship with Miami Man (Jason Momoa), the guy who barbecued her limbs. We enter this zone with a skinny young woman named Arlen (English model and “White Princess” actress Suki Waterhouse) who is quickly captured by cannibals that remove her arm and leg. That would be a time when the country’s undesirables are banished to a fenced-off, no-longer-American stretch of Texas desert to fend for themselves. “I’m always like, post-apocalyptic?” Amirpour, who has been making her own movies since adolescence and is a UCLA Film School graduate, laughs about one label that’s been attached to “Bad Batch.” “I don’t know. You can try to impose Sergio Leone and dystopian survival films’ influences on the piece - some have even called it the first film of the Donald Trump Era - but it really is its own distinct thing. Now Amirpour is back with a bigger budgeted second feature, “The Bad Batch,” and hoo boy, is it something else. “The first Iranian vampire spaghetti western” was one term that stuck to the Farsi-language production, which gives you some idea of all the different stuff that went on in it. That didn’t stop folks from trying to classify it. The black-and-white mood fest was an unclassifiable take on feminine fears, addictions and desires, set in an industrial burg near the filmmaker’s hometown Bakersfield. Ana Lily Amirpour’s debut feature, “A Girl Walks Home Alone at Night,” was an art house sensation in 2014. ![]()
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